From now to the end of consciousness, we are stuck…

From now to the end of consciousness, we are stuck with the task of defending art. We can only quarrel with one or another means of defense. Indeed, we have an obligation to overthrow any means of defending and justifying art which becomes particularly obtuse or onerous or insensitive to contemporary needs and practices.
This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism.

Sourced, Against Interpretation and Other Essays (1966)

“Against Interpretation” (1964), p. 5

Other Susan Sontag Quotes

It is hard for people not to see the world in polarizing terms (”them” and us”) and these terms have in the past strengthened the isolationist theme in American foreign policy as much as they now strengthen the imperialist theme. Americans have got used to thinking of the world in terms of enemies. Enemies are somewhere else, as the fighting is almost always “over there,” with Islamic fundamentalism now replacing Russian and Chinese communism as the implacable, furtive menace to “our way of life.” And terrorist is a more flexible word than communist. It can unify a larger number of quite different struggles and interests. - View Quote Details on It is hard for people not to see the world…
Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility. And the means for practicing art have been radically extended…. Painters no longer feel themselves confined to canvas and paint, but employ hair, photographs, wax, sand, bicycle tires, their own toothbrushes and socks. Musicians have reached beyond the sounds of the traditional instruments to use tampered instruments and (usually on tape) synthetic sounds and industrial noises. - View Quote Details on Art today is a new kind of instrument, an instrument…
Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit “program.” No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention. - View Quote Details on Modernist tasks and liberties have stirred up a canny diffidence…
But just because I am a critic of Israeli policy — and in particular the occupation, simply because it is untenable, it creates a border that cannot be defended — that does not mean I believe the U.S. has brought this terrorism on itself because it supports Israel. I believe bin Laden and his supporters are using this as a pretext. If we were to change our support for Israel overnight, we would not stop these attacks.
I don’t think this is what it’s really about. I think it truly is a jihad, I think there is such a thing. There are many levels to Islamic rage. But what we’re dealing with here is a view of the U.S. as a secular, sinful society that must be humbled, and this has nothing to do with any particular aspect of American policy. In my view, there can be no compromise with such a vision. And, no, I don’t think we have brought this upon ourselves, which is of course a view that has been attributed to me. - View Quote Details on But just because I am a critic of Israeli policy…
Stop the War and Stop the Genocide, read the banners being waved in the demonstrations in Rome and here in Bari. For Peace. Against War. Who is not? But how can you stop those bent on genocide without making war? - View Quote Details on Stop the War and Stop the Genocide, read the banners…
Americans are constantly extolling “traditions”; litanies to family values are at the center of every politician’s discourse. And yet the culture of America is extremely corrosive of family life, indeed of all traditions except those redefined as “identities” that can be accepted as part of larger patterns of distinctiveness, cooperation, and openness to innovation. - View Quote Details on Americans are constantly extolling “traditions”; litanies to family values are…
Not only is Fascism (and overt military rule) the probable destiny of all Communist societies — especially when their populations are moved to revolt — but Communism is in itself a variant, the most successful variant, of Fascism. Fascism with a human face. - View Quote Details on Not only is Fascism (and overt military rule) the probable…
Soldiers now pose, thumbs up, before the atrocities they commit, and send off the pictures to their buddies and family. What is revealed by these photographs is as much the culture of shamelessness as the reigning admiration for unapologetic brutality. Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal. - View Quote Details on Soldiers now pose, thumbs up, before the atrocities they commit,…
Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable. - View Quote Details on Real art has the capacity to make us nervous. By…
All modern wars, even when their aims are the traditional ones, such as territorial aggrandizement or the acquisition of scarce resources, are cast as clashes of civilizations — culture wars — with each side claiming the high ground, and characterizing the other as barbaric. The enemy is invariably a threat to “our way of life,” an infidel, a desecrator, a polluter, a defiler of higher or better values. The current war against the very real threat posed by militant Islamic fundamentalism is a particularly clear example. - View Quote Details on All modern wars, even when their aims are the traditional…