The tide of undecipherable signatures of mutinous adolescents which has…

The tide of undecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surface of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion… the powerless saying: I’m here, too.

Sourced
“The Pleasure of the Image” (1985) from Writers on Artists edited by Daniel Halpern (1988), p. 98, North Point Press ISBN 0-86547-340-4

Other Susan Sontag Quotes

  • The sublimity of color in Hodgkin’s pictures can be thought of as, first of all, expressive of gratitude — for the world that resists and survives the ego and its discontents. - View Quote Details on The sublimity of color in Hodgkin’s pictures can be thought…
  • From “old” Europe’s point of view, America seems bent on squandering the admiration — and gratitude — felt by most Europeans. The immense sympathy for the United States in the aftermath of the attack on September 11, 2001 was genuine. (I can testify to its resounding ardor and sincerity in Germany; I was in Berlin at the time.) But what has followed is an increasing estrangement on both sides. The citizens of the richest and most powerful nation in history have to know that America is loved, and envied… and resented. - View Quote Details on From “old” Europe’s point of view, America seems bent on…
  • “Old” and “new” are the perennial poles of all feeling and sense of orientation in the world. We cannot do without the old, because in what is old is invested all our past, our wisdom, our memories, our sadness, our sense of realism. We cannot do without faith in the new, because in what is new is invested all our energy, our capacity for optimism, our blind biological yearning, our ability to forget — the healing ability that makes reconciliation possible. - View Quote Details on “Old” and “new” are the perennial poles of all feeling…
  • Reality has come to seem more and more like what we are shown by cameras. It is common now for people to insist upon their experience of a violent event in which they were caught up — a plane crash, a shoot-out, a terrorist bombing — that “it seemed like a movie.” This is said, other descriptions seeming insufficient, in order to explain how real it was. While many people in non-industrialized countries still feel apprehensive when being photographed, divining it to be some kind of trespass, an act of disrespect, a sublimated looting of the personality or the culture, people in industrialized countries seek to have their photographs taken — feel that they are images, and are made real by photographs. - View Quote Details on Reality has come to seem more and more like what…
  • The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown. - View Quote Details on The destiny of photography has taken it far beyond the…
  • The tradition of portrait painting, to embellish or idealize the subject, remains the aim of everyday and of commercial photography, but it has had a much more limited career in photography considered as art. Generally speaking, the honors have gone to the Cordelias. - View Quote Details on The tradition of portrait painting, to embellish or idealize the…
  • The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is. - View Quote Details on The truth is always something that is told, not something…
  • The unanimously applauded, self-congratulatory bromides of a Soviet Party Congress seemed contemptible. The unanimity of the sanctimonious, reality-concealing rhetoric spouted by American officials and media commentators in recent days seems, well, unworthy of a mature democracy. - View Quote Details on The unanimously applauded, self-congratulatory bromides of a Soviet Party Congress…
  • The writer in me distrusts the good citizen, the “intellectual ambassador,” the human rights activist — those roles which are mentioned in the citation for this prize, much as I am committed to them. The writer is more skeptical, more self-doubting, than the person who tries to do (and to support) the right thing. - View Quote Details on The writer in me distrusts the good citizen, the “intellectual…
  • The charges against most of the people detained in the prisons in Iraq and Afghanistan being nonexistent — the Red Cross reports that 70 to 90 percent of those being held seem to have committed no crime other than simply being in the wrong place at the wrong time, caught up in some sweep of “suspects” — the principal justification for holding them is “interrogation.” Interrogation about what? About anything. Whatever the detainee might know. If interrogation is the point of detaining prisoners indefinitely, then physical coercion, humiliation and torture become inevitable.
    Remember: we are not talking about that rarest of cases, the “ticking time bomb” situation, which is sometimes used as a limiting case that justifies torture of prisoners who have knowledge of an imminent attack. This is general or nonspecific information-gathering, authorized by American military and civilian administrators to learn more of a shadowy empire of evildoers about whom Americans know virtually nothing, in countries about which they are singularly ignorant: in principle, any information at all might be useful. An interrogation that produced no information (whatever information might consist of) would count as a failure. - View Quote Details on The charges against most of the people detained in the…
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