The voices licensed to follow the event seem to have…

The voices licensed to follow the event seem to have joined together in a campaign to infantilize the public. Where is the acknowledgment that this was not a “cowardly” attack on “civilization” or “liberty” or “humanity” or “the free world” but an attack on the world’s self-proclaimed superpower, undertaken as a consequence of specific American alliances and actions? How many citizens are aware of the ongoing American bombing of Iraq? And if the word “cowardly” is to be used, it might be more aptly applied to those who kill from beyond the range of retaliation, high in the sky, than to those willing to die themselves in order to kill others. In the matter of courage (a morally neutral virtue): whatever may be said of the perpetrators of Tuesday’s slaughter, they were not cowards.

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On the September 11, 2001 attacks The New Yorker: Talk of the Town (2001-09-24 )

Other Susan Sontag Quotes

From now to the end of consciousness, we are stuck with the task of defending art. We can only quarrel with one or another means of defense. Indeed, we have an obligation to overthrow any means of defending and justifying art which becomes particularly obtuse or onerous or insensitive to contemporary needs and practices.
This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism. - View Quote Details on From now to the end of consciousness, we are stuck…
“Old” and “new” are the perennial poles of all feeling and sense of orientation in the world. We cannot do without the old, because in what is old is invested all our past, our wisdom, our memories, our sadness, our sense of realism. We cannot do without faith in the new, because in what is new is invested all our energy, our capacity for optimism, our blind biological yearning, our ability to forget — the healing ability that makes reconciliation possible. - View Quote Details on “Old” and “new” are the perennial poles of all feeling…
The tide of undecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surface of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion… the powerless saying: I’m here, too. - View Quote Details on The tide of undecipherable signatures of mutinous adolescents which has…
Not surprisingly, the Serbs are presenting themselves as the victims. (Clinton equals Hitler, etc.) But it is grotesque to equate the casualties inflicted by the NATO bombing with the mayhem inflicted on hundreds of thousands of people in the last eight years by the Serb programs of ethnic cleansing.
Not all violence is equally reprehensible; not all wars are equally unjust.
No forceful response to the violence of a state against peoples who are nominally its own citizens? (Which is what most “wars” are today. Not wars between states.) The principal instances of mass violence in the world today are those committed by governments within their own legally recognized borders. Can we really say there is no response to this? - View Quote Details on Not surprisingly, the Serbs are presenting themselves as the victims…
Yes, this is Europe. The Europe that did not respond to the Serb shelling of Dubrovnik. Or the three-year siege of Sarajevo. The Europe that let Bosnia die.
A new definition of Europe: the place where tragedies don’t take place. Wars, genocides — that happened here once, but no longer. It’s something that happens in Africa. (Or places in Europe that are not “really” Europe. That is, the Balkans.) Again, perhaps I exaggerate. But having spent a good part of three years, from 1993 to 1996, in Sarajevo, it does not seem to me like an exaggeration at all. - View Quote Details on Yes, this is Europe. The Europe that did not respond…
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art. - View Quote Details on Science fiction films are not about science. They are about…
To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. Literature was the passport to enter a larger life; that is, the zone of freedom.
Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom. - View Quote Details on To have access to literature, world literature, was to escape…
I guess I think I’m writing for people who are smarter than I am, because then I’ll be doing something that’s worth their time. I’d be very afraid to write from a position where I consciously thought I was smarter than most of my readers. - View Quote Details on I guess I think I’m writing for people who are…
Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we all prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other place. - View Quote Details on Illness is the night-side of life, a more onerous citizenship…
Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit “program.” No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention. - View Quote Details on Modernist tasks and liberties have stirred up a canny diffidence…